Maybe in any art you have to be wholly you in the context of whatever you're doing.

I think talent, especially in acting, is being wholly yourself within the context of yourself.

The prevalence of mental illness compels me to give it - and the people suffering from it - a voice.

It's not that I don't believe in miracles, but I never quite trust that they're real.

I think that things like curses or whatever - those labels - come from belief systems, universal belief systems. So when you get a global consciousness of something, then that becomes a quote-unquote "truth" for everybody. You know, "This is what happens in the Kennedy family." "This is what happens with the Hemingways." And the more people believe in it, the more it kind of resuscitates the problem; it keeps bringing life to this idea that a curse exists that you can never get out from under.

I enjoyed doing Lipstick, but it scared me. I was very nervous. I couldn't wait for it to be over. It was very real, and I was just a kid.

If you're an addict, if you drink and you're putting a depressant into your body, it's going to cause serious problems.