s past history and stand alone.

There is no sense talking about "being true to yourself" until you are sure what voice you are being true to. It takes hard work to differentiate the voices of the unconscious.

The images we eat are as important as the food we eat. Think of that in terms of television, and a lot of the movies we watch.

The connection between conscious and unconscious poses particular problems in the dancer because the body is the soul of action.

The light of the sacred prostitute penetrates to the heart of this darkness. . . . she is the consecrated priestess, in the temple, spiritually receptive to the feminine power flowing through her from the Goddess, and at the same time joyously aware of the beauty and passion in her human body.

This is your body, your greatest gift, pregnant with wisdom you do not hear, grief you thought was forgotten, and joy you have never known.

Instead of transcending ourselves, we must move into ourselves.