Going to the theater, spending tons of money, people are losing money doing that. I'm really interested in my kinds of movies being seen as many people as possible on a TV.

I go to therapy once a week, that helps a lot. I have a really supportive family. I have two little kids, I'm married, I live close to my parents, my brother and his wife. I don't socialize a lot. I work and I have my kids, basically. I'm just, I would say, with all false modesty aside, I'm ruthlessly efficient with my time.

Jay [Duplass] and I normally just sit around and people watch, and we talk about things that are happening in our lives, or with people that we've met. That's the soup from which our movies usually come from.

If we have anything to offer, as filmmakers and as TV makers now, it's this ability to feel as close to a documentary as you can get in a narrative form.

We always joke now like, you know, the more experienced we get making stuff, we're like, "Never leave set without a shot of each of our lead characters driving in the car looking happy, looking moderately blank and looking sad." Because we know we're going to need these things.

You know, I watched the original 'Same Time, Next Year' on DVD about ten times this year, and I cried all ten times.

I'm fortunate enough to act in a TV show that makes me a lot of money so I can pay for my own movies. I don't have to wait for anybody and that's more of what I like doing. But I still think that you don't have to be connected in the industry to make your movie. You just have to write something that is meant to be made cheaply.