When things come at you very fast, naturally you lose touch with yourself.

The method of our time is to use not a single but multiple models for exploration.

For those for whom the sex act has come to seem mechanical and merely the meeting and manipulation of body parts, there often remains a hunger which can be called metaphysical but which is not recognized as such, and which seeks satisfaction in physical danger, or sometimes in torture, suicide, or murder.

In television, images are projected at you. You are the screen. The images wrap around you. You are the vanishing point.

Artists in various fields are always the first to discover how to enable one medium or to release the power of another.

Only puny secrets need protection. Big discoveries are protected by public incredulity.

The copy of an ad is merely a punning gag to distract the critical faculties while the image of the product goes to work on the hypnotized viewer. Those who have spent their lives protesting about 'false and misleading ad copy' are godsends to advertisers, as teetotalers are to brewers, and moral censors are to books and films. The protesters are the best acclaimers and accelerators. Since the advent of pictures, the job of the ad copy is as incidental and latent as the 'meaning' of a poem is to a poem, or the words of a song are to a song.