Our nature as sensitive beings is far too complex to break apart, re-examine and reshape in a poem.

I think as actors we need to close read scripts and we need to fully understand the intricacies of dialogue as well as the symbolisms of what the actor wears and what they hold in their hand because that only adds more layers to the character.

I would like my books to stand as a tool to unbind children from expectations of poetry because it should free the child to self-expression and exploration.

I always feel vulnerable talking about the poetry aspect of my career because it's little diary entries that I need to sometimes close read, and to reveal that much, it's a bit nerve-racking.

That's the best part about being an actor though. One of the rewarding aspects of it is you're actually traveling in parts of the world that one wouldn't necessarily go to just because it's so far removed, but also like even beyond the metropolitan areas. You're in the woods.

I feel in poetry there aren't that many rules that you need to absolutely live by depending on your style of poetry.

Our nature as sensitive beings is far too complex to break apart, re-examine and reshape in a poem.