Oh my God!" said one of the Ambers. "Is this not the worst trip ever? Did you see the snow?" She was a sharp one, this Amber. What would she notice next? The train? The moon? The hilarious vagaries of human existence? Her own head?

Oh, the ongoing love affair between hair and mouths. Hair always goes for the mouth. The mouth opens, and hair says, "I'm going in! I'm going in!" like a manic cave diver.

English rain feels obligatory, like paperwork. It dampens already damn days and slicks the stones.

It rang and it rand and it rang. I looked at the screen one last time, then at Stuart, and then I reached my arm back and threw the phone as hard as I could (sadly, not that far), and it vanished into the snow. The eight-year-olds, who were truly fascinated with our every move at this point, chased after it. 'Lost it,' I said. 'Whoops.

I had always assumed the weekend was a holy tradition, respected by good people everywhere. Not so at Wexford.

Sometimes artist like to catch themselves looking out, let the world see them for once. It's a signature. This one is a very bold one. But this is also a witnessing. We want to remember, and we want to be remembered. That's why we paint.

Life is always going to be a series of ouch-making moments, and the question was, was I going to go all fetal position, or was I going to woman up? I went into fetal position on the bed to think about this. Fetal position turned out to be very comfortable.