Creative people should always be striving, they should always be hungry, they should be looking for the next place to go.

I also try to surround myself with people I love - make a family out of the company. So I tend to use the same people over and over. There's a sort of Mel Brooks Repertory Company.

One day, God said 'Let there be prey.' And he created pigeons, rabbits, lambs and Gene Wilder.

In real life people fart, in the movies, people don't. Why not? Farts are a repressed minority. The mouth gets to say all kinds of things, but the other place is supposed to keep quiet. But maybe our lower colons have something interesting to say. Maybe we should listen to them. Farts are human, more human than a lot of people I know. I think we should bring them out of the water closet and into the parlor.

When you get big special effects pictures, sci-fi and things, there's little or no comedy. Or it's a domestic comedy and there's not one special effect. But very rarely do these things fuse and come out right.

When I'm writing a script, I don't worry about plot as much as I do about people. I get to know the main characters - what they need, what they want, what they should do. That's what gets the story going. You can't just have action, you've got to find out what the characters want. And then they must grow, they must go somewhere.

You often hear that people go into show business to find the love they never had when they were children. Never believe it! Every comic and most of the actors I know had a childhood full of love. Then they grew up and found out that in the grown-up world, you don't get all that love, you just get your share. So they went into show business to recapture the love they had known as children when they were the center of the universe.