The thing is to be brave and move the audience with you, instead of cater to the lowest common denominator, you know, slipping on a banana peel and falling on your ass. You got to move the audience a little further ahead in terms of their appreciation of what is comedy. It's complicated.

If you're quiet, you're not living. You've got to be noisy and colorful and lively.

Every human being has hundreds of separate people living under his skin. The talent of a writer is his ability to give them their separate names, identities, personalities and have them relate to other characters living with him.

My movies were not reaping the kind of emotional rewards that I wanted. I wanted them to be appreciated and they weren't. I didn't want the reviews to say, "Mel Brooks has made another movie," and you get the title somewhere in the second paragraph.

If Ivan the Terrible had been kissed and loved between zero and three, he probably would have become Ivan Not So Terrible. If you're Jewish, you have a small smile on your face. Because you know the rest are wrong and you don't want to hurt their feelings.

Well, you know, 'Spaceballs' is a weird combination, because it's a simple, sweet little fairytale, and it's crazy and out-there and making fun of and taking apart sci-fi, 'Star Wars', and 'Star Trek'.

Tragedy is what happens to me; comedy is what happens to you.