Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional.

Just wearing the corset means that you can never really relax from the moment that you put it on. So, there's a constant sort of strain and you have to hold yourself in a certain way. It's very uncomfortable. But again you instantly understand the repression that women feel and how much they were captives. It's sort of sad really.

It's hard to tell what people realize. Everybody's different and has a different understanding of the difference in times.

I always start a film thinking I know how to do it, then I learn all over again.

What I like about film is it explores imperfections.

In our world, we have so many ways we can escape with technology, like TV, Facebook, computers, text messaging and all that.

It's always nice to work with someone you have a history with. It just makes it easier to click back into that dynamic and have a lot of fun.