The illustrators work so much harder on the books than the writers do. I mean, that's so much work doing what they do, and it's terrible for them.

My process is surprisingly straightforward. I find myself with little to do over a stretch of time and I say, "I should write children's books today." Then I sit down and write a children's book, and if it takes more than, realistically, three hours, I feel like I've done something wrong.

As an actor, you can show up on a set and be on a TV show for three or four years, or whatever it is and, by the end of it, you just want to do something else.

You can't write a children's book that takes more than five or six minutes to read, because it will drive the parents batty. It has to be compact. Nobody thinks about the parents when they write these stupid books. I could write longer children's books, but it would actually be bad if I did.

I'm trying to teach my children not to cry. That's the big thing. No crying. Because I think we can all agree that crying is, for the most part, for sissies. If my team loses, I'm going to cry. And I'm going to want my kids to see me crying. Not because I think sports are so important, but because I bet so much money on the game that we'll probably lose the house if my team doesn't win. That's something to cry about.

I loved Dungeons & Dragons. Actually, not so much the actual playing as the creation of characters and the opportunity to roll twenty-sided dice. I loved those pouches of dice Dungeon Masters would trundle around, loved choosing what I was going to be: warrior, wizard, dwarf, thief.

I probably should be thinking of better ideas on how to promote myself, but I don't really spend a lot of time doing it. I really don't know how to promote effectively.