I think everybody comes to the table with a different point of view and a different need...A lot of Beverly Lewis' material revolves around secrets and bringing those secrets to light. So, you know, there's always that theme, that...we're as sick as our secrets and once they're revealed we can be set free from them. So, that's definitely a theme that resonates.

I think everybody comes to the table with a different point of view and a different need...A lot of Beverly Lewis' material revolves around secrets and bringing those secrets to light. So, you know, there's always that theme, that...we're as sick as our secrets and once they're revealed we can be set free from them. So, that's definitely a theme that resonates.

We're all being segregated or sent to our different rooms to watch television that's geared only for adults, to be honest. There's very little fare - outside of cartoons and a few things for children (and) I guess (some reality shows like) The Voice - that can be watched by the entire family.

I grew up on the sets of Bonanza and most of my (childhood) memory is (on the set of) Little House. I was actually an assistant cameraman on Highway to Heaven. So, I observed my father working for many years. He was a very giving person. I really respected the way he ran his sets. He never treated anyone differently - whether you were the guest star of the show or the grip. Everybody was treated with respect.

Entertainment and art have power. Our culture is molded more so by entertainment than any other influence.

I see everything visually. It's very visual for me. And so I think, from a plotting standpoint or what have you, there's obviously a certain amount of internal thinking that goes on in a novel (that) you can't do...in a screenplay. But I think, pacing wise, my novels move quickly because (they aren't overly) descriptive.

Well, I kind of approach both of them similarly in (that) I always see it as a movie first because that's my background. Cindy Kelley, who has been my writing partner on my novels, she works more on the prose side and the description side of the storytelling because, obviously, there's a lot more of that in a novel than in a screenplay. You only have up to 120 pages in a screenplay.