I'm not big on fat jokes. That's a little beneath me. I'm not a huge fan of making a joke completely at someone else's expense. Even though I think he does it better than anyone else, I don't love... Well, it's different with Sacha Baron Cohen, but that whole thing where you're "punking" people? I don't like that. I don't like doing it, and I don't particularly find it funny when the joke is on a person who doesn't know they're being set up.

I was kind of in an experimental phase with The Disposable Rappers. This is boring to me, because it's true, but when I was a sophomore in high school, I visited my sister in college and saw an improv troupe, and that was a genuine moment for me. It was an actual "Aha!" moment. After I saw that, I said, "I want to do comedy." So The Disposable Rappers started doing improv in addition to rapping, and when I went to college, I very specifically went saying "I want to join a comedy group."

The only Train song I like is the one that I play in my act "Drops Of Jupiter". Sheryl Crow has three or four songs that I like; also Dave Matthews Band. With those particular musicians, it's more that there are a few songs that I like rather than their entire body of work. There are a lot of indie bands that I like too. I'm not a snob about music. Does the fact that I like Stephen Sondheim and Broadway musicals make me a fake? Does the fact that I'm "the Billy Joel of comedy" mean that I don't have indie-rock credibility?

Will Ferrell is probably the funniest comic actor, certainly of my generation. I am a huge, huge Will Ferrell fan. I'm not a huge comedy buff, truthfully. What I find funny is either something unbelievably stupid, like Dumb And Dumber or Airplane!, where the jokes are just so stupid and pointless, or something like The Office or The Comeback, where the humor is in the excruciating awkwardness of a situation. Stella kind of explores both of those, stupidity and awkwardness.

I think narcissists are endlessly watchable. The way they view the world and the way they interact within the world. They have no concept of their behavior or how it might be affecting other people. So comedically, it's a very fun type of character to play. They are bulls in a china shop, twenty-four seven.

A big reason why we were able to and have been able to continue to succeed is that we had a very intense work ethic, right from the beginning. There was a do-or-die attitude toward the work. It wasn't seen as a little "club." It was like, "This is your life." We would spend hours and hours rehearsing and endlessly rewriting. We took it very seriously right off the bat. And we were also extremely critical of each other, which was another thing that was unique. A lot of comedy ensembles have a hard time being critical of each other, because they don't want to hurt each other's feelings.

I'm writing a memoir. I'm four pages in. I start with my first memory, which is kicking my uncle in the balls. I was four.