I'm not big on fat jokes. That's a little beneath me. I'm not a huge fan of making a joke completely at someone else's expense. Even though I think he does it better than anyone else, I don't love... Well, it's different with Sacha Baron Cohen, but that whole thing where you're "punking" people? I don't like that. I don't like doing it, and I don't particularly find it funny when the joke is on a person who doesn't know they're being set up.

In real life, comedians aren't funny.

Cats are unpredictable because they're wild and domestic at the same time. Watching a cat's behavior is like a small window into the wild.

I don't audition for "on-air" commercials - the ones where your face can be seen. I've auditioned for voiceover campaigns that I haven't gotten, but I don't really want to be seen in a commercial unless it's a product that I really love. Like, if Adidas asked me, I would do it in a heartbeat. But I did a Reebok commercial, one for Pep Boys, one for Dunkin' Donuts. I auditioned for commercials, but I really couldn't stomach it. It just didn't feel right.

I calculated that if I wrote five pages a day, which seemed very doable, I would have an 1,800-page first draft when the deadline rolled around. Though completely unwritten, I was very impressed with how long my first draft would be.

I like doing all different types of comedy - stand-up, sketch, movies, TV. I like to try everything.

A big reason why we were able to and have been able to continue to succeed is that we had a very intense work ethic, right from the beginning. There was a do-or-die attitude toward the work. It wasn't seen as a little "club." It was like, "This is your life." We would spend hours and hours rehearsing and endlessly rewriting. We took it very seriously right off the bat. And we were also extremely critical of each other, which was another thing that was unique. A lot of comedy ensembles have a hard time being critical of each other, because they don't want to hurt each other's feelings.