I have this habit of asking 'why do you want to do it?' and then interrupting them to say, 'here's why you want to do it.' Because it's in the 'yes...and' spirit [rule of improvisation].

How many people do you know who have thrown up on the Scrambler or a carnival ride? A lot of people, is the answer.

My writing process is very feedback based - I listen to the audience. I try to understand what's connecting, what's not connecting... and then rewrite, and rewrite, and rewrite. Chris Gethard and I have been on the road a lot together. When we get on the bus at night, we talk about the jokes that didn't work and the joke possibilities that could work. I think this is a little different from other writers.

The key is to do what you love.

When I made 'Sleepwalk with Me,' many people asked me if was a novelty thing, a one-off. But this is the goal, I'm just hitting it 12 years after I thought I would.

I went to a funeral recently, and they handed out Kleenex before the funeral. Which I thought was cocky.

I think spending a lot of time with my mom, who's a talker and a storyteller, and my dad, who has kind of a soft-spoken, understated sense of humor, I think that's how I became what I am, which is sort of an understated storyteller.