I think serious situations actually make for the best kind of belly laughs. But theyre also the hardest to convert into comedy at the outset.

They really cut to the chase in the urologist's examination room, and I tried to laugh. If this office were a movie, it would have been rated R.

Gillian [Jacobs] is brilliant, and it was Lena Dunham that recommended her. I didn't see her in the part, but Lena told me that Gillian can do anything. It turned out to be true.

When I was a kid I would write songs, little plays, and poetry in school. If you're an adult and you're a poet, it's all about love and pain, but if you're a kid it's, "Does anyone know a word that rhymes with shark?"

When I'm taking the subway to my improv shows I will be writing in my notebook different actions that I see people doing on the train whether it's eating yogurt or looking at where their stop is, or tripping or holding a baby. It's not preparing scenes and ideas as much as it is stoking your brain to think observantly. Just to place observations in your head, so that they are available somewhere.

I find my fans are really funny people. Most comedians can't say that about their fans.

You've got to remember that improvisers are writers and actors and directors all simultaneously. That's what's happening in real time because you're writing on your feet, and you are acting out the words and you are directing what the staging is. You're deciding what staging is.