My writing process is very feedback based - I listen to the audience. I try to understand what's connecting, what's not connecting... and then rewrite, and rewrite, and rewrite. Chris Gethard and I have been on the road a lot together. When we get on the bus at night, we talk about the jokes that didn't work and the joke possibilities that could work. I think this is a little different from other writers.

To succeed in comedy you ultimately have to put in the hours and get lucky - The amount of people who are able to break through is so small a fraction of the amount of people trying.

I drank the Kool-Aid of being a network star. Once it didn't happen, I realized it wasn't the best version of my comedy.

I think the cleverness is inadvertent.

There are so many people who are clever. There are 8000 people at Princeton who are more clever than the three of us at this table. BUT, we have the ability to give something that they don't have...which is us.

I didn't realize how good I was with technology until I met my parents... my dad told me "You're good; you should be a computer programmer." I said, "You're bad... you should be a caveman."

I was a screenwriting major in college, and really wanted to do that after I graduated, but there are no job listings for that, as we all know. I had many classmates that made it in the business, but stand-up comedy was my way in, and my first film 'Sleepwalk with Me' was based on those autobiographical experiences.