I probably drive casting people crazy because I'm not thinking about actors so much as real people.

I actually saw a kid and went home and drew him. I don't even know who he was. I was buying a TV set in Circuit City. I was looking at this kid and he was kind of standing there, staring off into space. Kids are pretty chubby nowadays because of all the fast-food places. I grew up eating fast food but now everything is double beef and double cheese. So there are a lot of these chubby boys with long, baggy shorts.

They don't make you pay for the humor. It's up and down, but they're trying to give you as many laughs as possible in 2 minutes. They are the most honest comedians ever.

I often feel that my life, much like my shows, will end on a cliffhanger.

When I worked in those offices, it was just irritating to me that somebody sat there and designed this place, never thinking that you would walk from here to there, and they didn't care. The one guy designs it, gives it to the other guy, he looks at it; no one thinks about all the people that gotta walk through it. So I think the best way to show those banal moments is to be just flat and wide.

You look at material a different way when your ass is on the line financially for it. You want to know where the big laughs are, and how we're going to sell this.

I went to a Catholic high school and it seemed like every time I drew something for a class project, it either got thrown away by the teacher or something.