I hope everyone can give the audience that real, true experience. But Mandy [Moore] and I, we definitely jump decades, and I think trying to find a base look, so that I can go back to the Eighties, I can jump to the Nineties, it was like, "All right, Milo, you're living in a moustache for a little while." Which I'm perfectly fine with.

I think that any good storytelling lends itself to closing a chapter but also knowing that there's a few more volumes beyond that to dream off of.

I love being around people that contribute. It doesn't matter where the good idea comes from. A good idea is a good idea.

Sometimes you're working in highly emotional scenes and you'll get lost in the moment. You're having fun with your friend at work. It's an opportunity to give to them as much as they've given back to you.

I try to find something in everyone that I play - even the most heinous ones. You have to find something that is real and vulnerable about everything that you play.

In THE WHISPERS, I played a father, with an amazingly talented actor, Kyle Breitkopf. I've played a dad a lot, so it's nice again to be in that world [in This Is Us].

Some were getting married; some were getting divorced. People were in different places, but you had enough time on this earth to actually get somewhere, and I think that's the exciting thing about being 36 and in your mid-30s. You've been somewhere, and you're going to go somewhere. It's fun; it's exciting.