I don't feel the pressure to deliver an unrealistically great man to the screen; I just want to be honest to who my character is on the page. If I can reflect that and put some heart into him and make him real, then I think I've done my job, and I think that people will like who he is.
Milo VentimigliaEvery single job I do. It sounds goofy but I did a music video for Fergie. I was in full on tattoos, ponytail, but it's like even things like that they help other people to see you in a different light. They give me opportunities. I try and change the image with every job that I can, it's just hard when you work on a TV show and you work so many months and trying to get away from that.
Milo VentimigliaI don't feel the pressure to deliver an unrealistically great man to the screen; I just want to be honest to who my character is on the page. If I can reflect that and put some heart into him and make him real, then I think I've done my job, and I think that people will like who he is.
Milo VentimigliaI think I had the good fortune to watch Sly the Artist [Sylvester Stallone]; to watch him in all arenas. As an actor, not many people get to see him turn that character on, they don't understand that he's playing a role.
Milo VentimigliaI felt like it was something that didn't represent how I wanted to present myself. Now I'll see kids I come across on Twitter or Comic-Con, and they'll smile and I'll be like, "You have a crooked mouth like I have a crooked mouth!" We just sit there, and I talk about it with them and they feel better about themselves.
Milo VentimigliaI don't like to have to depend on someone else to reset the props. It's like, "No, you've gotta take responsibility for it." I know how things fit and feel. To reset that stuff myself, it's easy. The prop guys are hilarious because I'll have one set of gloves and I'll keep reusing them to get the most out of it. They're like, "We've got boxes of these."
Milo Ventimiglia