I hated L.A. for a long time, and I wanted to leave it. I had these fantasies of going to 'SNL' and falling in love with some writer on 'SNL,' of getting married and living in New York.

I'm the kind of person who would rather get my hopes up really high and watch them get dashed to pieces than wisely keep my expectations at bay and hope they are exceeded. This quality has made me a needy and theatrical friend, but has given me a spectacularly dramatic emotional life.

Writing, at its heart, is a solitary pursuit, designed to make people depressoids, drug addicts, misanthropes, and antisocial weirdos.

True love is singing karaoke 'under pressure' and letting the other person sing the Freddie Mercury part.

I had to learn a skill set. I think I had the materials to be a good comedy writer.

I was always a silent comedy nerd. I would stay up late and sneak downstairs to watch 'Saturday Night Live' and 'Kids in the Hall,' and things like that. Very early on, my parents realized that I was not going to be an engineer or a doctor. I just don't have those inclinations, at all.

I feel lucky because I was a nerd, which I talk about in the book, but I had academic success, so through that, because that's what my parents put a great deal of value on, I had a great childhood because I sort of fulfilled the expectations of being good at school.