In terms of my Indianness, I try not to rely on it nor deny it. When it comes up organically in my writing, we can address it. About five years ago, we wrote this episode of 'The Office,' called 'Diwali,' which seemed like an organic way of using it.

"Why is everyone trying to tell me that when you get older it gets better?" I didn't believe it, because I'm so contrarian and suspicious of everything. And then to find that it's kind of true is nice.

I’ve worked in television for 10 years straight. If I were a man, it wouldn’t be considered strange [to have confidence] at all.

What I've noticed is that almost no one who was a big star in high school is also big star later in life. For us overlooked kids, it's so wonderfully fair.

I write a little bit about what it's like to be a female boss in my book [ Is Everyone Hanging Out Without Me?] and the things I've noticed about that, but by and large, it's just a tough job in general.

I’m the one who looks at the infant, smiles nervously, and as my contribution to small talk, robotically announces to the parent, “Your child looks healthy and well cared for.

The way that TV is set up is very helpful for when a show comes to an end because as an actor, you've got acting, but as a showrunner you still get to edit for three months and after that ends you get to do a sound mix. So, as a writer-performer in television, it's a very nurturing, gradual environment to say goodbye to a show.