In Bulgarian I am much more flowery, the sentences are wilder. In English out of necessity I try to be clear and disciplined. I realized by writing in English there is so much more to writing a good story than the style.
Miroslav PenkovI'm a big believer in the collective unconscious. The idea that there is a deep connection between all of us that goes back to our ancestors and forward to the people who will come after us. It's essentially the job of the artist to anchor that nebulous space, and I think that's what a writer does: goes to that strange place and brings back these little trinkets. The unspoken experience percolated throughout the generations allows you to have knowledge of things you wouldn't know first hand.
Miroslav PenkovThe problem is we bear grudges that go a thousand years into the past. Really, I could find people who begrudge the Greeks for doing awful things to the Bulgarians more than a thousand years ago.
Miroslav PenkovI don't find English restrictive, but it brings a level of discipline to my writing that I wouldn't have in Bulgarian. My control of English, however you define it, my ability to work in English, is more limited than in Bulgarian. That means out of necessity I have to develop a style that goes for clarity of expression which I may not have done otherwise.
Miroslav PenkovI'm interested in the way our world is defined by language, the living word. How restrained we are by the concept of language, but when you tweak it a little bit your eyes can be opened and your world is totally changed.
Miroslav PenkovI never wanted to write about Bulgaria. When I was still living there I did my absolute best to never write a story with a Bulgarian character with a Bulgarian name, and only after I came to the US and I was far away and missing it a great deal did I realize that writing about could be my way of returning back home. I think it was only through my writing that I fell in love with the country and with the history.
Miroslav Penkov