I could vomit, right this moment. I literally could vomit on cue. Yes. Here's the truth of that. We didn't have a big audience, obviously, when we made the show. Very early on, we made a decision that we were going to try to give the fans and the people that were loyal to us something that they felt was special.
Mitchell HurwitzI could vomit, right this moment. I literally could vomit on cue. Yes. Here's the truth of that. We didn't have a big audience, obviously, when we made the show. Very early on, we made a decision that we were going to try to give the fans and the people that were loyal to us something that they felt was special.
Mitchell HurwitzI think everybody wants to be loved, all the time, but it's not realistic. It's also not realistic, if you're going to be ambitious, in terms of changing the form or evolving.
Mitchell HurwitzMy knee-jerk is that it is comedy and, if you watch them all back-to-back, you will gain something and you will lose something.
Mitchell HurwitzI've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner.
Mitchell HurwitzViolence has not really been an issue. Even in my wildest hopes, I wasn't trying to get violence in.
Mitchell HurwitzI think it actually makes more sense for a new audience than the old show did because we're focusing on one character at a time. It's all conjecture why somebody didn't watch, but one of the theories was that there was just so much information, even in the trailers and promos, of all these different people.
Mitchell Hurwitz