I think it's a big part of being a creative person.

Character is what someone does, much more than who they are. I can be sarcastic or I can be fearful, but it doesn't really matter until there's a story - until someone comes in and holds us hostage.

Netflix will know everything. Netflix will know when a person stops watching it. They have all of their algorithms and will know that this person watched five minutes of a show and then stopped. They can tell by the behavior and the time of day that they are going to come back to it, based on their history.

I will tell you that we're all human beings, and we all care about what people think of us. But in general, their outlook is, "We're not looking at opening night numbers. We're not looking at opening night box office. We want this to be part of the reason you come to our service."

We started writing the shows in order, and then very quickly had to jump to, "Oh, we got Tony Hale today and Jessica [Walter." We've got to jump ahead and write that stuff that's in Jessica's show. Fortunately, we knew the story, but it was challenging.

There are a lot of things that are in the show that harken back to the old show, but I really wanted to resist doing a greatest hits. It was irresistible to do a greatest hits, but it was almost too easy. There are things that I know are still ahead of us, in the future of whatever Arrested Development brings.

The revolution is here. It's established that Netflix is a place where you can get premium content. It's a whole new world. It's very interesting. We'll be discovering it together. It's going to be interesting because they don't have a lot to compare it to.