What you'll gain is the macro story. You'll get a good command of that. And what you might lose is some of the fun of it.

I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.

There's a lot that you can do in television that you can't do with a film, theoretically. At the time, the only possibility was to do a movie.

The TV industry works in this crazy system where everybody's trying to get the same actors at the same time.

The form came out of the function because it is for the audience that already knows the show, while hoping to get a new audience, too.

If you've got a restaurant, you definitely want the line to be out the door the first night, but you're more interested in people continuing to come to the restaurant. And that's their outlook, a little bit. I think it allows for more creativity, in the process. It allows people to make interesting programming that maybe wouldn't have a place on broadcast networks, if you were just counting people.

One of the great things about TV is the story to tell can be very internal and really character-based.