The form came out of the function because it is for the audience that already knows the show, while hoping to get a new audience, too.

As somebody who wanted to be creative, growing up, I remember always thinking that the thing I had going against me was Orange County because it seemed like all of the comedy was coming out of New York, and it still is, to a certain extent.

The TV industry works in this crazy system where everybody's trying to get the same actors at the same time.

The more constraints I have, the more opportunities I have to be creative to fix those constraints.

There are a lot of things that are in the show that harken back to the old show, but I really wanted to resist doing a greatest hits. It was irresistible to do a greatest hits, but it was almost too easy. There are things that I know are still ahead of us, in the future of whatever Arrested Development brings.

The revolution is here. It's established that Netflix is a place where you can get premium content. It's a whole new world. It's very interesting. We'll be discovering it together. It's going to be interesting because they don't have a lot to compare it to.

At the time, I used to say, "We should market this like Everybody Loves Raymond. It's just a guy dealing with his family." Instead, it was irresistible to show all these funny people. So, I actually think this could be more inviting to a new audience because they can just watch one character, find out what's going on in his life, and then meet another character and find out what's going on in her life, and then see how it intersects the other one.