My knee-jerk is that it is comedy and, if you watch them all back-to-back, you will gain something and you will lose something.

First of all, there is absolutely an order that we have put together to create the maximum number of surprises, but that's just part of our storytelling.

The people that always impress me are the ones that are curious about what they're going to do next.

At the time, I used to say, "We should market this like Everybody Loves Raymond. It's just a guy dealing with his family." Instead, it was irresistible to show all these funny people. So, I actually think this could be more inviting to a new audience because they can just watch one character, find out what's going on in his life, and then meet another character and find out what's going on in her life, and then see how it intersects the other one.

We will be looking at things like the confluence of a scene, and we still have all these creative decisions to make. In general, we're going to just try to make these under a half-hour. We're going to try to take that kind of cable TV comedy model.

I joked recently that I thought 30 seconds a day for three years would be the best way to enjoy it, and I'm going to stand by that statement.

Regret is a tricky word. Here's a big secret: nobody knows what wasn't.