I feel compelled to make art that on one hand reflects and sometimes almost creates like a sense of comfort when confronted with the strangeness of the world.

It's much easier to have a diversified career as an electronic musician than it is as a drummer. Nothing against drummers. If you're a drummer, you just wait around for people to ask you to play drums. But if you have your own studio and can make music, you have the ability to approach music a lot differently.

I'm a weird, bald musician who makes records in his bedroom and lives in the Lower East Side.

I'm not Catholic but the Virgin Mary fascinates me because she's like a folk hero.

In the past I've had public feuds with people, and I have really not benefited from any of them. The feud with Eminem did kind of torpedo my career in the United States, but it also introduced me to Middle America in a way I never could have conceived of.

In some of the greatest recordings ever made, the performance is a part of the recording. Dylan's 'Rainy Day Women No. 12 and 35' is all about the esthetic of that performance. You can hear the room.

When I was growing up, all I wanted to do was fit in, but if you're perpetually an outsider, it gives you a perspective that might have a little more objectivity than people who really feel connected to their social environment in which they grow up.