When I'm really plugged in I find it difficult to write. It's like digging a well. If you make a void, something moves in to fill it. Writing books is like that. It's mostly about freeing up time, doing nothing, and in that time some writing starts to happen. We need to figure out how to maintain those voids.

A reader should encounter themselves in a novel, I think.

For if there were a list of cosmic things that unite us, reader and writer, visible as it scrolled up into the distance, like the introduction to some epic science-fiction film, then shining brightly on that list would be the fact that we exist in a financial universe that is subject to massive gravitational pulls from states. States tug at us. States bend us. And, tirelessly, states seek to determine our orbits.

I think wars, climate change, all that stuff is going to move people. And so I wanted to say, "What if the migration apocalypse occurs and it isn't an apocalypse at all?" Maybe we will still find ways to be happy and for our children and grandchildren to thrive and the world to move on.

Four thousand years ago, we, the people of the Indus River basin, had cities that were laid out on grids and boasted underground sewers, while the ancestors of those who would invade and colonize America were illiterate barbarians.

Contemporary culture in Pakistan, just like in America, is continuously hitting us with scary stuff. And so we are utterly anxious. I think that it's very important to resist that anxiety, to think of ways of resisting the constant inflow of negative feelings, not to become depoliticized as a result but to actually work actively to bring into being an optimistic future.

We keep the negative stuff because it's the negative stuff that's going to, you know, potentially kill us. That fin in the water - maybe it is a shark. That yellow thing behind the tree - maybe it is a lion. You need to be scared.