When I'm really plugged in I find it difficult to write. It's like digging a well. If you make a void, something moves in to fill it. Writing books is like that. It's mostly about freeing up time, doing nothing, and in that time some writing starts to happen. We need to figure out how to maintain those voids.

In a way, every parent is sort of dependent on the benevolence of the society around them to take care of their children.

We're all united in this, that every human being migrates through time, that the place we grew up in in our childhood is gone when we're in our 50s and 60s and 70s.

In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.

I'm often surprised that, you know, you encounter all types of humanity. And very often, there are some very decent people who don't stereotype even when you might, in your own mind, have stereotyped them to think that they will.

What did I think of Princeton? Well, the answer to that question requires a story. When I first arrived, I looked around me at the Gothic buildings - younger, I later learned, than many of the mosques of this city, but made through acid treatment and ingenious stone-masonry to look older.

I don't want to be anxious on my day-to-day life. I want to try to imagine a future I'd like to live in and then write books and do things that, in my own small way, make it more likely that that future will come to exist.