I told [a big investor in The New Yorker] - I was complaining the way writers complain.I said`[Bill Shawn] pays very well, but a lot of my pieces don't get in,' and that was true of most of the writers there.But he pays you for them, that was very nice of him. This guy didn't think it was very nice. He figured, `Oh, my God, that's more of my investment gone,' and paying money to writers for not printing them. That became, apparently, one of his weapons against Shawn when he - in the corporate skirmishes that went on. It was a bad mistake on my part.

The book that really, really shaped my politics and has forever is Arthur Koestler's "Darkness at Noon," which is a novel based on terrible fact about what it was like in Russia during Stalin's time when people actually believed that to get to the point where the Proletariat would triumph, anything that was necessary to be done should be done; the means didn't count.

[My wife Margot] was the - I guess, the coordinator or the production manager [of The Jazz Review], and we got to know each other and we married.

[George W.] Bush was led astray and we were led astray.

It was a competitive examination [in Boston Latin School]. Poor kids, Brahmans, middle-class kids. The masters, as the teachers were called, didn't give a damn about - how we felt, what was - things like at home. I mean, this goes against the current grain. All they thought about was: `You're here. You made the exam. You can do the work. And if you can't, we'll throw you out.'

The whole politically correct movement, if it - if that's what it is, was spawned by liberals. So I try to avoid categorizing myself.

I was lecturing at the Columbia Journalism School of Education. I asked them about what was happening to the Fourth Amendment. I said, "By the way, do you know what is in the Fourth Amendment?" One student responded, "Is that the right to bear arms?" It's hard to believe these are bright students.