The main jobs would be The New Yorker, The Village Voice, The Washington Post and - I'm thinking of The Reporter when Max Askeli was there, but I got fired from The Reporter.

[Miranda Hentoff] was teaching once at Lincoln Center, and the hall was full of other professionals - musicians, professors, teachers. And she was explaining how [Béla] Bartok composed his second piano concerto. And she explained how the music was interwoven with the rhythms and what he had in his mind. And I was just stunned. This is a kid who used to work - on a piano with a cracked keyboard.

I was lecturing at the Columbia Journalism School of Education. I asked them about what was happening to the Fourth Amendment. I said, "By the way, do you know what is in the Fourth Amendment?" One student responded, "Is that the right to bear arms?" It's hard to believe these are bright students.

That [race] is still part of what [Barack Obama] is riding on. Except that, too, is diminishing.

The main jobs would be The New Yorker, The Village Voice, The Washington Post and - I'm thinking of The Reporter when Max Askeli was there, but I got fired from The Reporter.

The people I admire are those who keep on producing and working and going on.

In our country, [habeas corpus ] means that if you've been sentenced and convicted in a state court, either to death or to some other kind of sentence, you have the right to petition a federal court to review what happened to you. And until [Bill] Clinton, you had three, four, five, even more years I collect records of people who have been on death row for eight, 10, 12, 14 years - this is before Clinton - who finally got a decent lawyer, usually a pro bono lawyer, and an investigator, and were able to find out - they - they're but approved that they're - that they were innocent.