I’ve spent a lot of recreational time walking around historical castles and estates, in Britain and Europe, and so I know what the real thing looks like

You don't want the white men to be written in a three-dimensional way but the black men, not. I mean, it's just about [how] scripts should always reflect real human beings. So that's what I look for.

You can be a good human being and just be shrewd.

Cersei took so many of us out in the last episode and she's really turned dark; even Jaime Lannister can see that, so I don't think that Cersei Lannister is long for her Westeros world. I hope she's not.

I was a very physical child... I was a tree-climber; I was a tomboy.

When you play a real person, you feel a sense of responsibility that obviously you don't feel when you're playing a fictional character.

I think the thing about Anne Boleyn is there is an exotic quality to her. This is a woman who wasn’t raised in the English court. She was in the French court and Hapsburg court. She has a continental exotic quality to her. She’s quite a fiery woman and incredibly intelligent. So I think Anne really stood out – fire and intelligence and boldness – in comparison to the English roses that were flopping around court, she would’ve stood out. And Henry noticed that.