To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.

What interests me when I'm writing is being able to crawl into a character's head and speak from his or her mouth. It's not pulling the strings on a marionette, it's not playing ventriloquist, and it's not mimicry. It's about inhabiting a character, and, at the same time, being totally unaware of what you've become.

You know, and I don't say this, I'll say as someone who lived in Israel for a long time, let me call myself someone who spent six or seven years in Jerusalem, we don't need any more Americans flying over to fix things. They need to fix it. I'm someone who fell in love with the city and fell in love with a place, and has high hopes for everyone there, the good people on both sides.

Turn off your cell phone. Honestly, if you want to get work done, you’ve got to learn to unplug. No texting, no email, no Facebook, no Instagram. Whatever it is you’re doing, it needs to stop while you write... A lot of the time (and this is fully goofy to admit), I’ll write with earplugs in - even if it’s dead silent at home.

I sometimes think about that, when I finish in something big I find it even hard, I feel like I lose an actual noticeable percentage of my reading time. Even on the reader end I find it so hard when a book that I love so much ends, to find the kindness to enter into a new one. Do you know what I'm saying? To find my way in, I feel like even there's that space after. I just love inhabiting a book that hits right.

The Israel Palestine thing, there are infinite sides to each side, but if we stick to the main sides, everybody's in the same boat and it's maddening to me for people not to understand what's in both their best interest.

The thing you start noticing as books go by, is that you become aware not only of a shape of a career, but of your themes and interests. You don't want writing tricks where you make the same joke every time, but you do start to notice what consumes your mind, or what drives you.