When you're unhappy, I guess everything in the world - reading, eating, sleeping - has something buried somewhere inside it that just makes you unhappier.

But I suspect that all writers come up with premises of some kind, fragments of narrative or scenarios, in the course of a working week.

You need as much ballast as possible to stop you from floating away; you need people around you, things going on, otherwise life is like some film where the money ran out, and there are no sets, or locations, or supporting actors, and it's just one bloke on his own staring into the camera with nothing to do and nobody to speak to, and who'd believe in this character then?

I'm a good person. In most ways. But I'm beginning to think that being a good person in most ways doesn't count for anything very much, if you're a bad person in one way.

We had no irony when it came to girls, though. There was just no time to develop it. One moment they weren't there, not in any form that interested us, anyway, and the next you couldn't miss them; they were everywhere, all over the place. One moment you wanted to clonk them on the head for being your sister, or someone else's sister, and the next you wanted to....actually, we didn't know what we wanted next, but it was something. Almost overnight, all these sisters (there was no other kind of girl, not yet)had become interesting, disturbing, even.

And we'd had this stupid scene on the street, and even that was kind of cool, because sometimes it's moments like that, real complicated moments, absorbing moments, that make you realize that even hard times have things in them that make you feel alive.

You wouldn't believe that so much could change just because a relationship ended.