You know, even working actors can end up having a lot of spare time. And you can either go sit at the Starbucks and wait for your agent to call you, or you can go learn how to build a Shaker blanket chest with hand-cut dovetails.

I worked a lot in Chicago's theater scene as a fight choreographer. And so I do have a lot of experience in stage combat and also in Kabuki dance and Kabuki theater.

Doing voice work is more like recording music that people are going to listen to. You're creating an oral experience using whatever bells and whistles you have in your voice, and you can shut your eyes and use your imagination and nobody's going to see if the faces you make don't match the voices you make. That's a lot of fun.

I think the whole thing is kind of sad, honestly, in the same way that our civilization - particularly the consumers of pop culture - has grown so used to an emasculated, bare-chested leading man that something like simply growing a mustache can impress people.

I spent a lot of my youth working outside in the elements, and I kind of revel in defeating tough weather.

People are afraid that they're going to upset somebody on top, and so there's a real sense of, I've got to be quiet, I don't want to be fired.

When I was a kid, I lived in this small town way out in the country. We had three TV channels and one radio station. I couldn't even get my hands on good comic books. My aunt, who is a librarian, gave me Tolkien's "The Lord of the Rings," Laura Ingalls Wilder's "Little House on the Prairie," and Lewis's "The Chronicles of Narnia." They were such incredible treasures to have in my somewhat mundane country life.