"I don't ever want to try to be a 'cute guy.' I want to be Charles Laughton, or Oliver Reed, or Lon Cheney. That's way more fun for me." And once I flipped that switch, that's another thing I've taken off my shoulders, where I never have to worry about, "Do I look good?"

I always had a lot of confidence in my work and the unique flavor I like to bring to my characters, but you know I'm not a huge dreamer.

I was drinking a lot of bourbon. I was miserable. I was starting to get work, but it wasn't remotely satisfying. It was garbage compared to the theater I was doing.

No matter how you decide to spend a little more time on your gestures of giving, the point is just quite simply that you do.

I won't read a new graphic comic novel until the writer has completed the entire series. I got burned a few times when I got turned on to a book, plowed through it only to find out the author was in the middle of writing the next.

I learned in my early years in the theater that I would never become the guy on top. I'll never create a show; I don't have a brain expansive enough to see the whole picture, in a way that would behoove anyone.

It's hard to swallow when people say, "Oh my God, you're a master of something." I say, "No, I'm actually a student of that. I could turn you on to websites for 25 masters, and you'll quickly see that I am their disciple."