I get really into shows, but then I have my brain shut off time.

I think the way that I delivered my request for acting was undeniable, and I think that I was blessed enough to have parents who saw it as something that there was no argument about. For that, I will always be grateful.

Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.

Before I left for Germany, I had gotten accepted to the performing arts high school in New York, which was a big dream of mine. And having to leave that was very sad for me.

I think having pointers and having guidance from mentors is very important, but it never actually embodies what you go through. And if something doesn't feel good, why do you repeat it? If you feel good bemoaning an audition for a week, go for it. But if you feel better bemoaning an audition that didn't go very well for 30 minutes because you believe in the craft and the process, then I suggest you do that. And that's what I suggest to myself. The alternative is way too painful and destructive.

I'm mildly obsessed with skin care. I do a lot of masks at home, like Elisha Coy's Korean Collagen masks. I also use an embarrassingly wide variety of facial creams.

My earliest memory is having my grandfather, who was born in 1899, read the newspaper to me in a foreign language. I was utterly captivated by the fact that he took the time to read it to me. I didn't know what he saying, it was in a completely different language. I think it was in French. But I was just so honored that he was with me and talking to me. It's extraordinary that you know someone from that time, and also someone that's willing to give you the time of day, who's lived through so much.