The past is good (as we all know), twenty, thirty years back everything was good, anyone can tell you that.

Moscow, Rome, London, Paris stay in place. Leningrad and New York float, spreading all their sails, cutting space with their prows, and can disappear, if not in reality, then in the imagination of the poet creating a myth, a mythical tradition on the grounds of his secret experience.

For many years I used the pronoun 'we.' Now, as in my youth, I go to sleep and wake up alone.

[On New York:] ... a city rose before me. It was narrow and tall like a gothic temple, surrounded by water, and ... it suddenly appeared, as if with a slight push it detached itself out of the invisible into the visible.

[On Paris:] It exists, constant, eternal, surrounding us who live in it, and it is in us. We love it or hate it, but we cannot escape it. It is a circle of associations in which man exists, being himself a circle of associations. Having entered it and come out of it we are not what we were before knowing it: it devoured us, we devoured it, and the problem is not did we or didn't we want it. We consumed each other. It courses in our blood.

Paris is not a city, it is the image, the symbol of France, its today and yesterday, the reflection of its history, its geography and its hidden essence.

This is my main shortcoming: I was so determined not to lose time that I often did the wrong thing. Not losing time has been my permanent concern since I was three years old, when it dawned on me that time is the warp of life, its very fabric, something that you cannot buy, trade, steal, falsify, or obtain by begging.