If the role is right and it's another situation of having a benevolent genius at the head of it, someone who likes actors, and will protect the actors from the ravages of reality-TV drama. It's a brutal world, and you need to have a strong creative team who can stand up to the network.

My analysis of the situation was that Roman Polanski wasn't trying to break us down or get a performance out of us by destroying us. He was absolutely, very simply, trying to recreate this clear picture in his head. And the pictures he creates are absolutely perfect, and they are exactly what he saw in his head.

My parents have always been cool. They even became surrogates to friends of mine who didn't have such supportive parents.

I tried not to get too addicted to reading the Whedonesque website, because it could become obsessive. They were a charming and loyal bunch of people to whom I'm eternally grateful.

I've been lucky enough to kiss three James Bonds on screen: Pierce Brosnan, George Lazenby and Daniel Craig.

My parents taught me everything and set me up for life. I owe to them all the things I'm passionate about: music, art, the people I love, my career and family life, the fact that I have children and the way that I raise them.

The phrase you usually hear after a cut is "That was great. Perhaps we could have another go. Maybe try it this way." Even that much direction is prefaced with a lot of praise and encouragement. It's quite like how you deal with toddlers: positive reinforcement, and then a little suggestion that you might want to try something different. Roman Polanski will stop the take and shout, "No, no, no!" Which is somewhat alarming the first time it happens.