I like being like a chameleon who transforms himself with each role.

I would always find a way to blow the deal and I'm not sure why. I think there was part of me that wasn't comfortable with monetizing the music and getting involved with royalties and all that kind of stuff.

I like being like a chameleon who transforms himself with each role.

What's most interesting about trying to figure out AI is the questions that it forces you to ask about the nature of consciousness.

There's very few people - like Shakespeare - who, no matter what, were gonna do what they did. For the rest of us, there's a lot of events that have to happen in order for things to end up the way they are.

The performances had to be live. When you play it back, you can see if the hands aren't really doing the right thing, and then the whole magic falls apart.

When I'm creating a character, I don't see it so much as playing someone else as just playing a specific part of myself under certain circumstances.