I don’t know if you have had the same experience, but the snag I always come up against when I’m telling a story is this dashed difficult problem of where to begin it.

I was writing a story, 'The Artistic Career of Corky,' about two young men, Bertie Wooster and his friend Corky, getting into a lot of trouble, and neither of them had brains enough to get out of the trouble. I thought: Well, how can I get them out? And I thought: Suppose one of them had an omniscient valet?

I'm not absolutely certain of the facts, but I rather fancy it's Shakespeare who says that it's always just when a fellow is feeling particularly braced with things in general that Fate sneaks up behind him with the bit of lead piping.

It was one of those parties where you cough twice before you speak and then decide not to say it after all.

Bertie," he said, "I want your advice." "Carry on." "At least, not your advice, because that wouldn't be much good to anybody. I mean, you're a pretty consummate old [prat], aren't you? Not that I want to hurt your feelings, of course." "No, no, I see that." "What I wish you to do is put the whole thing to that fellow Jeeves of yours, and see what he suggests.

[He] saw that a peculiar expression had come into his nephew's face; an expression a little like that of a young hindu fakir who having settled himself on his first bed of spikes is beginning to wish that he had chosen one of the easier religions.

And, anyway, no matter how much you may behave like the deaf adder of Scripture which, as you are doubtless aware, the more one piped, the less it danced, or words to that effect, I shall carry on as planned.