Western conception of history has had great consequences over the last two hundred years. You see it in the invasion of Iraq. You see it in almost everything that is said and done.

I've never really felt that being part of a literary community is all that important. It can be extremely detrimental to a writer. It can damage successful writers by giving them an exalted sense of what they've done, and it can crush less successful writers by infecting them with envy and malice at an early stage in their careers.

I still prefer going to the classical writers, the modernists and the nineteenth century writers. Much of what has been done since then has just been repetition. A lot of it is marvelous but the forms haven't changed.

I feel the responsibility of the novelist is to create a very complex world populated by very complex individuals and to deepen that as much as possible. I don't think the responsibility of the reporter or journalist is fundamentally different.

The whole Hollywood conception of Tibet as this peace-loving country denies the complex humanity of the Tibetan people. Their ideas exist in a high degree of tension with impulses toward corruption, toward violence, toward all sorts of things. The Dalai Lama himself would say that he has to fight these impulses himself on a daily basis.

You have to be able to decide, 'Well no, I'm not going to be violent, I'm going to suppress that impulse; I'm not going to be greedy.' Unless you're able to do that you're stuck with adversarial politics that leads nowhere and creates ever greater violence.

Today, practically every country outside the West is undergoing an intellectual, political, and cultural churning, from China to Bolivia, Egypt to Indonesia, but we haven't really had, after the 1960s, a major oppositional culture in Western Europe and America. The Occupy movement was so startling and welcome partly because it was the first such eruption of mass protests in decades.