I am happy to accept that badge of ambivalence if that means some progress in dismantling this false opposition: writers boldly using their privileges of free speech in the morally superior West versus pathetic wimps in repressive countries we don't like.

I found it really disturbing to see a novelist writing a diatribe about Islam and Muslim radical extremists, blurring the distinction between the two.

We, especially those of us in depoliticized and pacified societies, need to cast a colder eye at our self-perceptions, now and in the past, as sentinels and embodiments of Enlightenment virtues of reason, dissent, and skepticism.

I meditate at airports because those are the places where I’m extremely tense, and I often meditate while I’m walking down the street. I have a thought and become aware of that thought and thereby create another level of awareness.

In India, love often follows marriage. I know many people who are still very deeply in love with their wives, who they barely knew before they were married. In America there's this idea that "how could someone get married without being deeply in love with each other?" but in a lot of these cases feelings of love and affection actually grow after they've been legally and formally brought together.

The asymmetries of power that have shaped relations between the West and the rest of the world also exist in the realm of literary criticism.

The act of writing should not be accompanied by the sense of an audience, someone peering over your shoulder, but in nonfiction I think it’s almost imperative that you identify an audience so you can confirm or challenge or undermine whatever ideas or prejudices they might have about your subject.