When we generate utopian visions and hope to make them happen soon – when we elect Barack Obama and expect all our problems to be solved, and solved quickly, by his presidency – the outcome is both predictable and tragic. That is not the way to engage social change in a democracy. And it is not the way to help democracy itself survive and thrive. Democracy is a non-stop experiment. Each generation must help sustain it, which means being in it day-by-day for the long haul.

When you are with young people, it is almost inconceivable that things wouldn't arise that you'd have to respond to, such as someone wrestling on the bus. And how you handle that, how you respond to that, how you deal with that is a lesson to the people you are on the bus with.

I am very, very uneasy with churches that have basically said, "Well, since that's what people want and that's what sells, then were going to do our worship services like Hollywood productions. We're going to have a lot of bells and whistles. We're going to have high entertainment value, and it is going to have a lot of gloss and glitter."

People are always asking, "Is this person in front of me the same on the inside as he or she appears to be on the outside? Is there congruence between what's within that person and the words and actions I'm viewing and hearing externally?" Children ask that about their parents; students ask it about their teachers; parishioners ask it about their pastors and priests; employees ask it about their bosses; and in a democracy, citizens ask it about their political leaders.

As a young man, I yearned for the day when, rooted in the experience that comes only with age, I could do my work fearlessly. But today, in my mid-sixties, I realize that I will feel fear from time to time for the rest of my life. I may never get rid of my fear. But . . . I can learn to walk into it and through it whenever it rises up . . . naming the inner force that triggers . . . fear . . . Naming our fears aloud . . . is the first step toward transcending them.

For me, teaching is about weaving a web of connectedness between myself, my students, the subject I'm teaching, and the larger world.

Why does a literary scholar study the world of "fiction"? To show us that the facts can never be understood except in communion with the imagination.