I'm so beyond genre, drama, comedies, I just want to do really good, interesting projects.

As you get older, as a comedian, and keep doing it, what you actually start to cherish on stage is not the build-up to the jokes, but how comfortable you can be in the silence and the non-laughing parts, and how long you can take the audience without a laugh to then get a huge reaction.

If you play comedic scenes like they're really serious, then it's so much more funny than if you're going for a laugh.

You know, in Los Angeles, you're constantly in your car, you're sealed up, you're not walking around. Whereas in New York, after a while, all your stuff is kind of public, in one way or the other. I'm not saying either one of those is bad; they're both great for a very specific kind of comedian. And I'm glad that they both exist.

It's like our country is being run by a bunch of bad alcoholic dads right now.

Somebody is going to find a way digitally that is just as innovative. In the end, the tools can change, but there is always someone who can think of something cool to do.

I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle, or they just couldn't do it. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. But they lost those crucial years of learning to turn any audience into your audience.