Here's what I'm afraid of. I know a lot of comedians, friends of mine, who just got into the "Doesn't matter what I say. It doesn't matter. They're just gonna laugh anyway."

I think the kind of person that gravitates toward New York is a person that's not so much focused on controlling exactly how they appear and how they exit. They're more fascinated with the process.

Stand-up is something I just truly love to do, so I'll always go back to it. I'll never stop doing it, that's for sure.

I have some shorter stories coming out in other books early next year. I might be pitching a re-vamp of Ghost Rider in the spring. We'll see.

I'm such a bookworm, and I'm such a people-watcher. It took the Internet a while to catch on in Ireland, because the culture there is, you go to the pub and talk to people there, and that's how you get the news and all the gossip. You just do it face to face. And culturally, you just couldn't understand.

I love the beginning of Magnolia, the thing about the dealer. That scene is genius. Brilliantly acted.

Every zombie story is fundamentally about a breakdown of order, with the infrastructure intact. That infrastructure might be on fire, yes.