I like confounding expectations. I can expand what it is I am able to do, and hopefully get to do more weird, interesting projects like this. There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone. And how the audience perceives that... It's out of my hands. And I don't get that frustrated by it, because I'm on to the next thing at that point.

I mean, the death in the late eighties and early nineties really shook out a lot of hacks. The pond just sort of dried up for a lot of really bad comedians.

I'm such a bookworm, and I'm such a people-watcher. It took the Internet a while to catch on in Ireland, because the culture there is, you go to the pub and talk to people there, and that's how you get the news and all the gossip. You just do it face to face. And culturally, you just couldn't understand.

Any comedian who tells you how dark and dangerous they are, they're not dark and dangerous.

I really had to imagine the kind of person that I would have been if I had never left my hometown... I don't think I would have been a very pleasant person.

I'm always trying out new stuff onstage. That's where I do all my writing.

I'm glad that that era of stand-up is over, because I think it adversely affected a lot of people who could have been really, really great comedians. Because they unconsciously or subconsciously stifled their wild impulses, and were thinking about the five clean minutes for The Tonight Show, or the 20-minute sitcom pitch as a stand-up act.