I mean, the death in the late eighties and early nineties really shook out a lot of hacks. The pond just sort of dried up for a lot of really bad comedians.

If I were to just focus on stand-up, I could actually, paradoxically enough, be home way more, because I would leave on a Friday, go do a couple theaters Friday, Saturday, maybe Sunday, come home.

I don't want to get into extended conversations with people on MySpace, because there are friends I have extended conversations with every day.

We need conservatives that can accept gays, and then we need hippies that can shave and bathe.

The apocalypse is coming, that's the one thing I like about George Bush, I really think he can get us into the ... apocalypse, like the BIBLICAL ... I really think he believes that he'll be the guy in the white hat. I think he's read the Stephen King novel The Stand a couple times, and he really thinks there's a dark man in the desert somewhere and he's gonna fight him or something.

I love doing movies, but right now, television is the way Hollywood was in the late '60s and early '70s. The dream era I would have loved to have been part of in Hollywood then is happening right now, but it's happening on television, with these big complicated story arcs and real character-driven shows and sheer ambiguity left and right.

I like confounding expectations. I can expand what it is I am able to do, and hopefully get to do more weird, interesting projects like this. There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone. And how the audience perceives that... It's out of my hands. And I don't get that frustrated by it, because I'm on to the next thing at that point.