I'm grateful that I had that uphill battle for 10 years of going onstage and having nobody know who I was, because you have to win them over. I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. That's why they're okay stand-ups, but they're never going to be great, because they don't have that presence. They never built those muscles up.

A lot of nerds aren't aware they're nerds. A geek has thrown his hands up to the universe and gone, 'I speak Klingon - who am I fooling? You win! I'm just gonna openly like what I like.' Geeks tend to be a little happier with themselves.

I think most comedians go through that (period), where you have to change or evolve. You don't want to just keep doing variations on the same themes. And, besides, it would look kinda creepy for a guy my age to be doing stuff that, like, a 20-year-old would do. 'Yeah, this is bullshit!' It's, like, 'Really? You don't have bigger concerns at this point in your life?'

I'm always trying out new stuff onstage. That's where I do all my writing.

Now we live in this DVD, iTunes, Hulu age, and show creators and networks are realizing that and letting shows develop on those terms rather than 'We gotta just punch it week to week, man.' Now they're like, 'What will happen if someone watches the entire show?'

To get asked to do stuff like 'United States Of Tara' and 'Caprica' is terrific. I can't complain.

The idea of, 'The journey is the destination' is put into action by browsing in an indie record store. Besides, a human being is a much better guide than a 'More Like This' link on the internet.