There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone.

I'm grateful that I had that uphill battle for 10 years of going onstage and having nobody know who I was, because you have to win them over. I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. That's why they're okay stand-ups, but they're never going to be great, because they don't have that presence. They never built those muscles up.

I'm going to continue to try to strike a balance, because I really, really do love doing stand-up, and I don't see why it should affect the acting. And again, I'm not going, "I've got to become a dramatic actor now." I just want more interesting jobs. I just want to keep doing stuff that's different.

There's all kinds of those moments in your life where either through a weird set of circumstances, or a song you hear, or a smell you smell, or one person says something totally out of the context without the meaning that you assigned to it, but you snap back to the way you were when you were 14 or 15. We all deal with that.

You saw a lot of guys, especially in the early '90s, whose acts were a pitch for a sitcom. A lot of them were very funny, but there's nothing worse than watching comedians or musicians who are up there and are doing something they're not interested in.

I'm grateful that I had that uphill battle for 10 years of going onstage and having nobody know who I was, because you have to win them over.

Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room.