If you're playing a one-minute game, I could squeeze in five to six games before anybody walked by my cubicle. So I got really good at blitz, one-minute chess games. But that's kind of like the cheap chess version.

Basically, every band that makes it has some dude with some sense of business. I don't know if our band would've been so successful were it not for Daniel's [Kessler] insight into how things really work. Daniel was the one who was diligently saying, "We should make a demo, send it out, play shows but not too many shows, get on shows with touring bands that are coming to New York."

You can't just imitate and keep coming up with ideas. You have to be tapping into something that's pure and unconscious in yourself or you'll have no career.

The idea of starting a band because of Nirvana and thereby trying to sound like Nirvana is totally not the case.

If you're playing a one-minute game, I could squeeze in five to six games before anybody walked by my cubicle. So I got really good at blitz, one-minute chess games. But that's kind of like the cheap chess version.

I had this perverse gravitation towards using a terrible cliché sandwiched in between absurd non-clichés because I thought it gave the cliché a new resonance. It kills me when my lyrics are misquoted, but as long as people are quoting them right, I don't care what anybody has to say about them.

I don't really get a lot of clarity in my everyday life and my interactions with people. Most things that happen to me aren't very straightforward. They're either vastly confusing, or I realize that I'm inventing whatever meaning I'm deriving from whatever happens and it's filtering through my own indulgent perspective.